Monday, 1 December 2014

Buddha on treating them..

What is the appropriate behavior for a man or a woman in the midst of this world, where each person is clinging to his piece of debris? Whats the proper salutation between people as they pass each other in this flood.

Wednesday, 29 October 2014

On Abstract Photography: Vineta Cook's "Meraki"


 Below i will be sharing few images from vineta cook's abstract art series. Though i found her selection of images quite dissolving. But at the same time found her variant colors, forms, textures, lines continuously permeating in light, grace, spirituality- that in return seems to over take embedded darkness by creating"Mini Universes"of their own.

From Universe life series

From Another Dimension series..
From Mars series

From Dreams series

From Heavenly Places series
From Jungle series
"Tranquility" From abstract landscape series..



From heavenly Places series
From Heavenly Places series


From soul Landscape Series
"Love" from Universe Abstract series



From Femina Series
From Memories Series


From Undiscovered Series

From Transition series
From Transition Series


From Futuristic World series
From Futuristic World sereis




Yellow mustard: From Colors series



North From Landscape Series
            




From Galaxy series



From Soul Landscape series..
From Soul Landscape Series
From Galaxy Landscape Series
      
Beige World:From Colors series 
Orange-Pink:Colors series



From Soul Landscape series



Tuesday, 21 October 2014

Saint Augustine on Time...

What then is time? If no one asks me, i know what it is. If i wish to explain it to him who asks, i don't know.

Monday, 20 October 2014

Lift Not The Painted Veil Which Those Who Live.. ~ P.B.Shelley.

an oil painting: The Funeral of Shelley By Louis Edouard Fournier (1889). Pictured in the center are ,From left, Trelawny, Hunt and Byron.

Lift not the painted veil which those who live,
Call Life: Though unreal shapes be pictured there,
And it but mimic all we would believe
with colours idly spread,--behind, lurk Fear
And Hope, twin Destinies, Who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had left it--he sought,
For his lost heart was tender, things to love,
But found them not, Alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendor among shadows, a bright blot
Upon this gloomy scene, a spirit that strove
For truth, and like the preacher found it not.

Friday, 17 October 2014

On Abstract Photography: Janet Sleeper Kerr's critic on Philip Rebstock’s print.



Though to Rebstock it was a fascination for inward and random journey. But Janet found so many intricate fibers being woven in this piece of art. 
as she puts it: I'm Awestruck! This is the best synthesis yet of his dreamlike surrealist imagery. the viewer is immediately placed in a magical environment. We step into a darkly lit corridor(where we do not recognize: another world? From within our dreams? with extrasensory vision?). the most crucial element  of this seems to be that brightly lit space at the end of the "corridor"-where light reveals movement. Is this world aquatic or in some ancient earthen pathway? what hides and what is  revealed within the shadows?The beautiful translucent colors upon pristine white pathway and the languid shadows connote a sense of ease rather than danger.....The whole is mesmerizing, compelling, tranquil, and mysterious.  Beautiful and masterfully complex!